British Pavilion 5 Young British Artists: XXXIII Venice Biennale (1966)
Exhibition Catalogue
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Publisher: British Council, London
Artist: Bernard Cohen (b.1933), Harold Cohen (1928-2016), Robyn Denny (1930-2014), Richard Smith (1931-2016), Anthony Caro(1924-2013)
Title: British Pavilion 5 Young British Artists: XXXIII Venice Biennale
Publication date: 1966
Contributors: Introduction by David Thompson; Catalogue designed by Herbert Spencer
Languages: English
Dimensions: 24 x 26,5 cm (9 29/64 x 10 3/64 in.)
Pages: UnpaginatedAbout
The 33rd Venice Biennale, held in 1966, was an exhibition of international contemporary art, with 36 participating nations. The Venice Biennale takes place biennially in Venice, Italy.
The British Pavilion at the 1966 XXXIII Venice Biennale showcased the exhibition "Five Young British Artists," featuring Anthony Caro, Bernard Cohen, Harold Cohen, Robyn Denny, and Richard Smith. This exhibition highlighted the new spirit in British art, combining bold abstract sculptures and innovative paintings.
Anthony Caro's steel and aluminum sculptures, such as Early One Morning (1962) and Yellow Swing (1965), were key pieces. His work was known for breaking away from traditional plinths, extending into the viewer's space and interacting dynamically with its surroundings.
The painters in the group explored diverse visual styles. Bernard Cohen's work, including his White Plant (1965), was influenced by Op Art, while Harold Cohen's abstract paintings, like Vigil Completed (1966), brought a focus on intricate, layered techniques. Robyn Denny’s geometric, architectural paintings, such as First Light (1965-66), explored symmetrical, large-scale designs reminiscent of doors or portals. Richard Smith, influenced by Pop Art, exhibited his massive 3D painting Gift Wrap (1963), incorporating elements of advertising and media aesthetics.
This group exhibition was pivotal in cementing the reputations of these artists, particularly Caro, who won the David E. Bright Foundation Prize, and Smith, who received the Mr. and Mrs. Robert C. Scull Prize
Condition: Good overall condition (Authenticity and Integrity). Signs of age and wear.
Provenance: Acquired at auction. Ownership: Monginho Collection.
Exhibition Catalogue
+ contact to buy
Publisher: British Council, London
Artist: Bernard Cohen (b.1933), Harold Cohen (1928-2016), Robyn Denny (1930-2014), Richard Smith (1931-2016), Anthony Caro(1924-2013)
Title: British Pavilion 5 Young British Artists: XXXIII Venice Biennale
Publication date: 1966
Contributors: Introduction by David Thompson; Catalogue designed by Herbert Spencer
Languages: English
Dimensions: 24 x 26,5 cm (9 29/64 x 10 3/64 in.)
Pages: UnpaginatedAbout
The 33rd Venice Biennale, held in 1966, was an exhibition of international contemporary art, with 36 participating nations. The Venice Biennale takes place biennially in Venice, Italy.
The British Pavilion at the 1966 XXXIII Venice Biennale showcased the exhibition "Five Young British Artists," featuring Anthony Caro, Bernard Cohen, Harold Cohen, Robyn Denny, and Richard Smith. This exhibition highlighted the new spirit in British art, combining bold abstract sculptures and innovative paintings.
Anthony Caro's steel and aluminum sculptures, such as Early One Morning (1962) and Yellow Swing (1965), were key pieces. His work was known for breaking away from traditional plinths, extending into the viewer's space and interacting dynamically with its surroundings.
The painters in the group explored diverse visual styles. Bernard Cohen's work, including his White Plant (1965), was influenced by Op Art, while Harold Cohen's abstract paintings, like Vigil Completed (1966), brought a focus on intricate, layered techniques. Robyn Denny’s geometric, architectural paintings, such as First Light (1965-66), explored symmetrical, large-scale designs reminiscent of doors or portals. Richard Smith, influenced by Pop Art, exhibited his massive 3D painting Gift Wrap (1963), incorporating elements of advertising and media aesthetics.
This group exhibition was pivotal in cementing the reputations of these artists, particularly Caro, who won the David E. Bright Foundation Prize, and Smith, who received the Mr. and Mrs. Robert C. Scull Prize
Condition: Good overall condition (Authenticity and Integrity). Signs of age and wear.
Provenance: Acquired at auction. Ownership: Monginho Collection.
Exhibition Catalogue
+ contact to buy
Publisher: British Council, London
Artist: Bernard Cohen (b.1933), Harold Cohen (1928-2016), Robyn Denny (1930-2014), Richard Smith (1931-2016), Anthony Caro(1924-2013)
Title: British Pavilion 5 Young British Artists: XXXIII Venice Biennale
Publication date: 1966
Contributors: Introduction by David Thompson; Catalogue designed by Herbert Spencer
Languages: English
Dimensions: 24 x 26,5 cm (9 29/64 x 10 3/64 in.)
Pages: UnpaginatedAbout
The 33rd Venice Biennale, held in 1966, was an exhibition of international contemporary art, with 36 participating nations. The Venice Biennale takes place biennially in Venice, Italy.
The British Pavilion at the 1966 XXXIII Venice Biennale showcased the exhibition "Five Young British Artists," featuring Anthony Caro, Bernard Cohen, Harold Cohen, Robyn Denny, and Richard Smith. This exhibition highlighted the new spirit in British art, combining bold abstract sculptures and innovative paintings.
Anthony Caro's steel and aluminum sculptures, such as Early One Morning (1962) and Yellow Swing (1965), were key pieces. His work was known for breaking away from traditional plinths, extending into the viewer's space and interacting dynamically with its surroundings.
The painters in the group explored diverse visual styles. Bernard Cohen's work, including his White Plant (1965), was influenced by Op Art, while Harold Cohen's abstract paintings, like Vigil Completed (1966), brought a focus on intricate, layered techniques. Robyn Denny’s geometric, architectural paintings, such as First Light (1965-66), explored symmetrical, large-scale designs reminiscent of doors or portals. Richard Smith, influenced by Pop Art, exhibited his massive 3D painting Gift Wrap (1963), incorporating elements of advertising and media aesthetics.
This group exhibition was pivotal in cementing the reputations of these artists, particularly Caro, who won the David E. Bright Foundation Prize, and Smith, who received the Mr. and Mrs. Robert C. Scull Prize
Condition: Good overall condition (Authenticity and Integrity). Signs of age and wear.
Provenance: Acquired at auction. Ownership: Monginho Collection.